continuous awakening

Dorothy Hunt’s splendid poem (which, imho, is as perfect and pithy a teaching as you will find), and the magnificent enso have been reblogged from the Science and Nonduality website.

Boundless gratitude!

 

Continuous Awakening

 

Continuous awakening belongs to only

THIS! that is already continuously awake.

It will never belong to anything

that conceives of itself as separate.

No thought can touch it

No concept can describe it

No practices can produce it

No belief can create it

And memory cannot sustain it.

 

Whatever you can gain, you can lose.

You are not an experience that comes and goes.

The mind that lives in time can neither

experience the timeless, nor hold on to Spirit.

THIS is not an identity to attain.

Its revelation comes in the shedding of identities.

Whatever you may realize, avoid hiding in

a new identity, no matter what words your mind may use.

THIS cannot be limited; all concepts are only pointers.

 

Stop trying

Stop imagining

Stop waiting

Stop postponing

Stop fixing a self that you are not.

Stop pretending to be what you are not.

Stop, simply STOP.

Notice what silently remains.

 

THIS is here before seeking

THIS is here before awakening

THIS is here after awakening

THIS is here without words

THIS is here with words.

Only THIS that is awake, aware,

pure, naked, unstained, indivisible,

and perfectly Whole

 

– Dorothy Hunt

 


http://www.dorothyhunt.org

http://www.scienceandnonduality.com


 

trust the vast nobody lying behind you

This Unlit Light - Poetry by Kieran Patrick Riordan

 

The Teacher was asked repeatedly,
‘What is it to live in Awareness?’

Finally, reluctantly she spoke,
For she observed,
Few were willing
To relinquish their cherishing
Of the conditions for suffering.

With a sigh she began.

“Project not Outwardly

Contract not Inwardly

Hold onto nothing

In between.”

How will we speak to others? One asked.

“Back not your opinions,

Let silence move your heart to speak.”

What will I do with my life? Enquired another.

“Rely not on this character,

Trust the vast nobody lying behind you.”

Must my uniqueness die? Asked the cook.

“Be entertained by your ideas,

Let stillness light your way.”
 

She asked for tea and remained silent for another whole year.
 

(Excerpt from Bhutan, 2216….)

– Kieran Patrick Riordan

 


Posted by Kieran on Facebook


 

 

a duet of paradox and praise

Two heart-healing poems from Chuck Surface.

I found these on the poetry blog – being silently drawn – one of my favourite online oases for mind medicine. Thank you Tina Koskelo.

First, the paradox of our wideawakeness: How can it be that we are not this or that but thisthat? How can it be that we are simultaneously wave and particle? How can we reconcile apparent dualism with the unsplitable reality of our experience? As it turns out, this endeavour on the part of the insatiable thinker is less paradoxical than it would have us believe.

Like, can there be more than one meaning to ONE?

And then, a little hymn to the Beloved.

 

Richard Diebenkorn - Coffee, 1959

 

cream, two sugars, please

 

Within… Fullness, Completion, and Bliss,

Without… She prefers milk chocolate to dark.

 

Within… nothing can be added, nothing taken away,

Without… everything comes to Her, and goes.

 

Within… Unmoving, Ineffable Sublimity,

Without… She experiences ever changing manifestation.

 

Within… joy and sorrow have never been,

Without… She Shines, even in the midst of tears.

 

Within… time and space have never existed,

Without… She is born, grows old, and dies.

 

Within… within and without never were,

Without… within and without ever are.

 

Within… no preferences, propensities, proclivities,

Without… cream, two sugars, please.

 

Within… The Sun Shines,

Without… All is Illumined.

 


 

intimacy

 

There’s no intimacy in talking “about” The Beloved,

Moving away from Her into words and concepts,

As if She is not Present.

 

How rude.

 

She exists in the Quiet Stillness of our Heart,

When Attention returns from outward wandering,

And falls into Her awaiting arms.

 

How Inexpressibly Beautiful.

 

Some have turned Her into a science,

And argue Her existence, lawyerly.

They know nothing of Her.

 

Arid minds.

 

She cannot be “proven” through argument,

Or anyone “convinced” of Her reality,

Short of direct Experience.

 

Direct… Experience.

 

Only Longing entices the Beloved,

From Her Secret Garden…

In the Cave of your Heart.

 

How Ineffably… Sublime.

 


Chuck’s poetry website is In the Garden of the Beloved – a place to rest, and be both soothed and intoxicated.


Richard Diebenkorn, Coffee, 1959; oil on canvas, 57 1/2 in. x 52 1/4 in.
[Did you notice the bindi?]

Collection: San Francisco Museum of Modern Art


questions about angels

Painting by Autumn Skye Morrison

 

Of all the questions you might want to ask

about angels, the only one you ever hear

is how many can dance on the head of a pin.

 

No curiosity about how they pass the eternal time

besides circling the Throne chanting in Latin

or delivering a crust of bread to a hermit on earth

or guiding a boy and girl across a rickety wooden bridge.

 

Do they fly through God’s body and come out singing?

Do they swing like children from the hinges

of the spirit world saying their names backwards and forwards?

Do they sit alone in little gardens changing colors?

 

What about their sleeping habits, the fabric of their robes,

their diet of unfiltered divine light?

What goes on inside their luminous heads? Is there a wall

these tall presences can look over and see hell?

 

If an angel fell off a cloud, would he leave a hole

in a river and would the hole float along endlessly

filled with the silent letters of every angelic word?

 

If an angel delivered the mail, would he arrive

in a blinding rush of wings or would he just assume

the appearance of the regular mailman and

whistle up the driveway reading the postcards?

 

No, the medieval theologians control the court.

The only question you ever hear is about

the little dance floor on the head of a pin

where halos are meant to converge and drift invisibly.

 

It is designed to make us think in millions,

billions, to make us run out of numbers and collapse

into infinity, but perhaps the answer is simply one:

one female angel dancing alone in her stocking feet,

a small jazz combo working in the background.

 

She sways like a branch in the wind, her beautiful

eyes closed, and the tall thin bassist leans over

to glance at his watch because she has been dancing

forever, and now it is very late, even for musicians.

 

– Billy Collins,  Questions About Angels: Poems
 Copyright © 1991


Sourced from the deliciously uplifting blog of Krayna Castelblaum – gratitude!


Painting by Autumn Skye Morrison


 

the altar of this moment

A beautiful poem for a Sunday: The Altar of this Moment by Dorothy Hunt.

 
For Simone, who was gratefulness and generosity embodied. And who left us seven days ago.

Reblogged with gratitude from the wondrous science and nonduality website


Photograph by Juliana Nan

 

Place everything you can perceive—
everything you can
see,
hear,
smell,
taste,
or touch,
upon the altar of this moment
and give thanks.

It is over so soon—
this expression,
this single moment of your precious life,
this one heart
pounding itself open
with fear or wild joy,

this one breath rising
in the cold winter air
smoothly and gently
or coughing and sputtering.

Bow, while you can, before
this one taste
of afternoon tea
warming its way to your belly,
or the fragrant orange
exploding its sweet juice
in your grateful mouth.

You have to love
the antics of your mind,
imagining life should only be sweet.
The bitter makes the sweet; and life is both.
It is whole, like you,
before you think yourself to pieces.

Place this moment’s pain and confusion on the altar, too,
and give special thanks for such grace
that wakes you up from sleeping through your life.
Pain is greatly under-rated as a pointer to Unknowing,
yet greatly over-rated when taken as identity.

In this one moment,
your eyes meet mine and there is
a single looking.
What is peering from behind our masks?
Can it touch itself across the room?

Place your palms together;
touch your holy skin.
In another moment it will shed itself.
What will you be then?
What were you before you had two hands?
What are you now?

You cannot capture That
and place It on the altar of this moment.
It is the altar,
and this moment’s infinite expressions,
and the Seeing,
and its own devotion to itself.

You are That.

Dorothy Hunt

 


Image credit – Juliana Nan


Also by Dorothy Hunt:
when God comes in your house


you are the sun in drag

It’s April Fools’ Day – a good day to awaken from a huge hoax. Hafiz spells it out.

The Great Sun, by William Blake

– – –

You are the sun in drag.

You are God hiding from yourself.

 

Remove all the “mine”— that is the veil.

 

Why ever worry about

anything?

 

Listen to what your friend Hafiz

knows for certain:

the appearance of this world

is a Magi’s brilliant trick, though its affairs are

nothing into nothing.

 

You are a divine elephant with amnesia

trying to live in an ant

hole.

 

Sweetheart, O sweetheart

you are God in

drag!

 


The Sun in Drag, by Hafiz, from The Gift: Poems of Hafiz, the Great Sufi Master
Purported to be translated from the original Persian (Farsi) by Daniel Ladinsky.


Image: The Great Sun, by William Blake


 

when you know yourself

Rajasthan, India, Tantric Painting

 

when you know yourself

you know that there is nothing that is not God

you know that the face of God
is the Face of faces
you know It as both He and She
and neither: nada
you know It as the Beloved
whose embrace you can’t escape
you know Its Presence as your
absence, or rather,
your secret sensuous melting
into the ever-nowness of your aliveness

when you know yourself

you know that there is nothing
that is not this immeasurable immensity,
always hiding in plain view

you know It as the Nameless One
wearing any nametag with equal delight,
quivering like a child’s smile
simply to be noticed

Beloved
when you know yourself

you know that there is nothing that is not yourself

– miriam louisa


Image – Hindu Tantric painting, Rajasthan, India. Made using tempera, gouache, and watercolor on salvaged papers, these paintings from Rajasthan form a distinct lexicon dating back to the 17th century. They were/are used to awaken heightened states of consciousness. They are not produced for commercial purposes, but simply pinned up on the wall for use in private meditation.
In the example above, the lingam and the yoni have swapped their traditional colour depictions; the intense black of the lingam has become pink and the pink of the yoni is now black. (Lest we forget that the Dance of Consciousness is infinitely mutable, utterly defying all labels.)
The lingam represents Shiva, the transcendental source of all that exists; the yoni is the creative power of nature and represents the goddess Shakti.  The lingam united with the yoni represents the nonduality of immanent reality and transcendental potentiality.

Tantra Song: Tantric Painting from Rajasthan