what is this?

Since I began blogging a decade ago I’ve probably posted close to a thousand glimpses of the texture of my days in poetry and prose.

But I’d never looked back down my lifeline to track the trajectory from tiny-hood to crone-hood. There were revelations galore as I began to connect the dots of the decades, but one stands out because it threw my seemingly crazy life into exquisite focus. It was the recognition that pretty much everything I’ve experienced was (and still is) driven by just one little question.

It took Shanti Einolander to coax the story out of my brain and into words that would be included in her stunning online publication: ONE The Magazine. Parts of the article are posted below, along with the sub-headings. I know – it’s a teaser, but I do hope you’ll go over to the magazine and subscribe to read it all, and feast on the priceless array of inspiring writing, poetry and art you’ll find there.

– – –

Bubble Chamber

what is this?

so blatantly in my face
yet unable to be seen?

closer than my breath
yet unable to be reached?

shining through the mind
yet unable to be known?

~

It’s taken me a lifetime to understand that my personal motivation on the spiritual journey was a bit unusual.  I wasn’t looking for an antidote to suffering – not at the outset anyway.  I wasn’t trying to escape anything.  I didn’t feel incomplete.  I was a happy if ingenuous kind of person.

But in the lottery of life I was over-endowed with innate curiosity.  As a child I was a question mark on small feet – and I assumed everyone else was, as well.  In fact, my childhood assumption was that the content of all human brains was identical to my own.  I still remember the shock (I was about ten years old) of realizing that I was definitely ‘different’ from my brothers and school friends.  That was my tardy moment of individuation, the drop-kick into separation.  The birth of dear wee Queen Me.

I was also born with the ‘wonder’ switch turned on – the one that makes you wide-eyed with wonderment at the miracles of life.  (Later I came to understand curiosity and wonderment to be a natural pair.)  It seemed to me that the greatest wonder was that life happened at all.  How come it was so blithely taken for granted?  How come no one seemed to pay heed to this miracle?  How come it was never in the news except when it arrived as a newborn or departed someone’s body at death?

Miraculous: supernatural; surprising:
L miraculum from mirari: wonder; F mirus: wonderful
– Oxford Concise Dictionary

Looking back, it seems my journey has been about penetrating the nature of this “miraculousness” and the odd way its presence seems to cause me to disappear.  An important part of that journey has been my passion for making things.  From early childhood I loved making things because it was during playful immersion in creativity that the miraculous would often manifest.  (The word “art” didn’t come into it until much later, when there was an artist self up and running; I would notice that the miraculousness would only come to play in her absence.  But that’s another story.) […]

a kid with no head

In retrospect I realize that as a youngster there was no question as to what ‘I’ was.  It was unbounded spacious knowing.  I wouldn’t have had access to that vocabulary, but I do remember the sense of headlessness and the absence of solid boundaries to my body.  (This caused a few ownership problems with my brothers!)  Even after the arrival of individuation this experience remained constant – although preoccupation with the stories that were accreting around my teenage self slowly began to dominate my attention, heralding the beginning of The Great Forgetting. […]

finding my tribe

the free-fall

hacking the great hoodwink

the alchemy of emptying


ONE The Magazine: What is This?

Boundless gratitude to Shanti for the opportunity to reflect on my life from this perspective
and for the honour of being a contributor to ONE


on labyrinths, grace and the via creativa

When the new issue of the online magazine ONE : the magazine was published, I felt happy, humbled and honored to be the featured artist.

The text I contributed to accompany a gallery of images of my artwork made reference to what I call the via creativa.  Subsequently, and unexpectedly, I was asked to contribute some further words on this so-called via creativa.  I dug deep in my computer’s archives and found this little essay, written some years ago as a postscript to an unpublished manuscript, intended for inclusion in the eventual publication of an ebook on my blog wonderingmind studio.

Here’s an introductory paragraph or two.  I hope you’ll link through to the magazine to read the full monty – and sample some of the beautiful, wise, contributions from others –  Adyashanti, Unmani, Fred Davis, Eli Jackson-Bear, and more.

 

The Chartres Cathedral Labyrinth

 

The Labyrinth is a familiar symbol.  Its enigmatic presence has left footprints that fade back into the beginning of the human story.  Its origins and its purpose have been rich fodder for research and speculation.

I don’t pretend to know the truth of its tale, but see the archetypal labyrinth as apt visual shorthand for the map of a life, and that’s how its symbolism is used in this little essay.

The many lanes of the Labyrinth are in fact only one long path that winds and twists and turns back on itself as it explores all the territory of a life before arriving at its Heart.

By ‘Heart’ I mean the natural essence of the ‘walker’ of the Labyrinth – beyond both conception and perception – the unknowable and ineffable awareness we nevertheless recognize as our changeless Being.

As an artisan, I call this path the Via Creativa, but please don’t think I refer to any kind of laid-down, mapped-out path.

The path is a process, and the process creates the path.  It is the Via Creativa itself that teaches me how to make art and live Life.

[… ]

Continue reading at ONE : the magazine