keeping quiet : keeping still

Mark Rothko - s/T, 1969

 

Now we will count to twelve

and we will all keep still.

 

For once on the face of the earth,

let’s not speak in any language;

let’s stop for one second,

and not move our arms so much.

 

It would be an exotic moment

without rush, without engines;

we would all be together

in a sudden strangeness.

 

Fisherman in the cold sea

would not harm whales

and the man gathering salt

would look at his hurt hands.

 

Those who prepare green wars,

wars with gas, wars with fire,

victories with no survivors,

would put on clean clothes

and walk about with their brothers

in the shade, doing nothing.

 

What I want should not be confused

with total inactivity.

Life is what it is about;

I want no truck with death.

 

If we were not so single-minded

about keeping our lives moving,

and for once could do nothing,

perhaps a huge silence

might interrupt this sadness

of never understanding ourselves

and of threatening ourselves with death.

Perhaps the earth can teach us

as when everything seems dead

and later proves to be alive.

 

Now I’ll count up to twelve

and you keep quiet and I will go.

 

– Pablo Neruda

 


From Extravagaria, translated by Alastair Reid (pp. 27-29, 1974)


A steadying, thoughtful poem for today and everyday. I’m pairing it with Pico Iyer’s wonderful TED talk, The Art of Stillness. I feel that stillness, silence and solitude – attributes of whatever we take to be sanctity – are seriously endangered experiences. Will they become extinct in our lifetime?

I’m a committed activist in this area of concern. My experience has shown me that these ‘non-activities’ are the bedrock necessary for the unfolding of what matters to me – authenticity, right relationship, unfolding wisdom, and creative expression.

 

 


Painting by Mark Rothko – s/T, 1969


embracing otherness, embracing myself

Let’s not be freaked out by our bountiful nothingness.
It’s more a reality than the ones our selves have created.
Imagine what kind of existence we can have if we honor inevitable death of self,
appreciate the privilege of life
and marvel at what comes next.
Simple awareness is where it begins.

– Thandie Newton

 

 

Transcript:

Embracing otherness. When I first heard this theme, I thought, well, embracing otherness is embracing myself. And the journey to that place of understanding and acceptance has been an interesting one for me, and it’s given me an insight into the whole notion of self, which I think is worth sharing with you today.

We each have a self, but I don’t think that we’re born with one. You know how newborn babies – they’re not separate? Well that fundamental sense of oneness is lost on us very quickly. It’s like that initial stage is over — oneness: infancy, unformed, primitive. It’s no longer valid or real. What is real is separateness, and at some point in early babyhood, the idea of self starts to form. Our little portion of oneness is given a name, is told all kinds of things about itself, and these details, opinions and ideas become facts, which go towards building ourselves, our identity. And that self becomes the vehicle for navigating our social world. But the self is a projection based on other people’s projections. Is it who we really are? Or who we really want to be, or should be?

So this whole interaction with self and identity was a very difficult one for me growing up. The self that I attempted to take out into the world was rejected over and over again. And my panic at not having a self that fit, and the confusion that came from my self being rejected, created anxiety, shame and hopelessness, which kind of defined me for a long time. But in retrospect, the destruction of my self was so repetitive that I started to see a pattern. The self changed, got affected, broken, destroyed, but another one would evolve — sometimes stronger, sometimes hateful, sometimes not wanting to be there at all. The self was not constant. And how many times would my self have to die before I realised that it was never alive in the first place?

I grew up on the coast of England in the ’70s. My dad is white from Cornwall, and my mom is black from Zimbabwe. Even the idea of us as a family was challenging to most people. But nature had its wicked way, and brown babies were born. But from about the age of five, I was aware that I didn’t fit. I was the black atheist kid in the all-white Catholic school run by nuns. I was an anomaly, and my self was rooting around for definition and trying to plug in. Because the self likes to fit, to see itself replicated, to belong. That confirms its existence and its importance. And it is important. It has an extremely important function. Without it, we literally can’t interface with others. We can’t hatch plans and climb that stairway of popularity, of success. But my skin color wasn’t right. My hair wasn’t right. My history wasn’t right. My self became defined by otherness, which meant that, in that social world, I didn’t really exist. And I was “other” before being anything else — even before being a girl. I was a noticeable nobody.
Another world was opening up around this time: performance and dancing. That nagging dread of self-hood didn’t exist when I was dancing. I’d literally lose myself. And I was a really good dancer. I would put all my emotional expression into my dancing. I could be in the movement in a way that I wasn’t able to be in my real life, in myself.

And at 16, I stumbled across another opportunity, and I earned my first acting role in a film. I can hardly find the words to describe the peace I felt when I was acting. My dysfunctional self could actually plug in to another self, not my own, and it felt so good. It was the first time that I existed inside a fully-functioning self — one that I controlled, that I steered, that I gave life to. But the shooting day would end, and I’d return to my gnarly, awkward self.

By 19, I was a fully-fledged movie actor, but still searching for definition. I applied to read anthropology at university. Dr. Phyllis Lee gave me my interview, and she asked me, “How would you define race?” Well, I thought I had the answer to that one, and I said, “Skin colour.” “So biology, genetics?” she said. “Because, Thandie, that’s not accurate. Because there’s actually more genetic difference between a black Kenyan and a black Ugandan than there is between a black Kenyan and, say, a white Norwegian. Because we all stem from Africa. So in Africa, there’s been more time to create genetic diversity.” In other words, race has no basis in biological or scientific fact. On the one hand, result. Right? On the other hand, my definition of self just lost a huge chunk of its credibility. But what was credible, what is biological and scientific fact, is that we all stem from Africa — in fact, from a woman called Mitochondrial Eve who lived 160,000 years ago. And race is an illegitimate concept which our selves have created based on fear and ignorance.

Strangely, these revelations didn’t cure my low self-esteem, that feeling of otherness. My desire to disappear was still very powerful. I had a degree from Cambridge; I had a thriving career, but my self was a car crash, and I wound up with bulimia and on a therapist’s couch. And of course I did. I still believed my self was all I was. I still valued self-worth above all other worth, and what was there to suggest otherwise? We’ve created entire value systems and a physical reality to support the worth of self. Look at the industry for self-image and the jobs it creates, the revenue it turns over. We’d be right in assuming that the self is an actual living thing. But it’s not. It’s a projection which our clever brains create in order to cheat ourselves from the reality of death.

But there is something that can give the self ultimate and infinite connection — and that thing is oneness, our essence. The self’s struggle for authenticity and definition will never end unless it’s connected to its creator — to you and to me. And that can happen with awareness — awareness of the reality of oneness and the projection of self-hood. For a start, we can think about all the times when we do lose ourselves. It happens when I dance, when I’m acting. I’m earthed in my essence, and my self is suspended. In those moments, I’m connected to everything — the ground, the air, the sounds, the energy from the audience. All my senses are alert and alive in much the same way as an infant might feel — that feeling of oneness.

And when I’m acting a role, I inhabit another self, and I give it life for awhile, because when the self is suspended so is divisiveness and judgment. And I’ve played everything from a vengeful ghost in the time of slavery to Secretary of State in 2004. And no matter how other these selves might be, they’re all related in me. And I honestly believe the key to my success as an actor and my progress as a person has been the very lack of self that used to make me feel so anxious and insecure. I always wondered why I could feel others’ pain so deeply, why I could recognise the somebody in the nobody. It’s because I didn’t have a self to get in the way. I thought I lacked substance, and the fact that I could feel others’ meant that I had nothing of myself to feel. The thing that was a source of shame was actually a source of enlightenment.

And when I realised and really understood that my self is a projection and that it has a function, a funny thing happened. I stopped giving it so much authority. I give it its due. I take it to therapy. I’ve become very familiar with its dysfunctional behaviour. But I’m not ashamed of my self. In fact, I respect my self and its function. And over time and with practice, I’ve tried to live more and more from my essence. And if you can do that, incredible things happen.

I was in Congo in February, dancing and celebrating with women who’ve survived the destruction of their selves in literally unthinkable ways — destroyed because other brutalized, psychopathic selves all over that beautiful land are fueling our selves’ addiction to iPods, Pads, and bling, which further disconnect ourselves from ever feeling their pain, their suffering, their death. Because, hey, if we’re all living in ourselves and mistaking it for life, then we’re devaluing and desensitizing life. And in that disconnected state, yeah, we can build factory farms with no windows, destroy marine life and use rape as a weapon of war. So here’s a note to self: The cracks have started to show in our constructed world, and oceans will continue to surge through the cracks, and oil and blood, rivers of it.

Crucially, we haven’t been figuring out how to live in oneness with the Earth and every other living thing. We’ve just been insanely trying to figure out how to live with each other — billions of each other. Only we’re not living with each other; our crazy selves are living with each other and perpetuating an epidemic of disconnection.

Let’s live with each other and take it a breath at a time. If we can get under that heavy self, light a torch of awareness, and find our essence, our connection to the infinite and every other living thing. We knew it from the day we were born. Let’s not be freaked out by our bountiful nothingness. It’s more a reality than the ones our selves have created. Imagine what kind of existence we can have if we honor inevitable death of self, appreciate the privilege of life and marvel at what comes next. Simple awareness is where it begins.

Thank you for listening.

– Thandie Newton


Source: TED.com


 

 

we are all waiting for you

Today, a guest post from Vicki Woodyard.

This piece is a perfect fit for a follow-on to my last post – one day you finally knew

Worku Goshu: Birth of Light, oil on canvas

One’s Own Truth

To own one’s own truth is what life is about. To reach the place where all of the bells ring … to heal the godforsaken stretches of your inner desertions ….

Yesterday I heard Gavin de Becker say that if someone cannot accept your “no,” then they are trying to control you. After my husband died, I said three noes that first year. Two led to a desertion by the ones to whom I said no. And they each led to a deepening resolve to continue the practice of “no.”

“No” to the outer world is a yes to your inner world. And the inner determines the outer. It is daunting to go so deep into your own spirit that you understand that you are one with everything. It doesn’t necessarily make you any happier.

This morning as I entered the grocery store, one of the employees said a clear “I love you” into her cell phone. I told her it was so nice to hear her say that. She was speaking to her soulmate, she said, her husband of three years. I told her I was widowed…

Being alone is not the end of the world. For me, it is a time for going deeper into what I have chosen. I want to be with myself from now on. In a way that heals inner division, in a way that comforts and stretches me. For this I must say “no” to things that do not nourish me. I am facing myself directly, which is a difficult thing to do. I often prefer to nibble at the cheesy things of this world. Like a rat, I sample American Idol, and that makes me want more. The world is like that… making you want more of what can never sustain you.

So I sit here at the computer, wanting you to love me. But that is just another bite of cheese in the trap. What I really want is to love myself so clearly that I never say “yes” when I feel “no.” That is a big, big thing. The bigger the truth, the more it can change and heal you.

We are all waiting for you
to strike that one chord
in your own heart.
You know, the one you haven’t
strummed in so long.
The one that will make us all
stop for a moment and sigh…

For we have enough false notes
stored up in our music benches.
We need to see your single finger
pluck the harmony and sorrow chord
so we will remember who we are.

Vicki Woodyard


After regularly publishing on Facebook for some time, Vicki is now re-energising her blog as the premier place to access her writing. You can find it at http://www.vickiwoodyard.com/


Painting by Worku GoshuBirth of Light


one day you finally knew

When tempted to deviate from one’s own authenticity, to parrot the songs of other souls – however exalted, to stay over-long attempting to fix heal or recover that which no longer serves the fledgling understanding of inter being, to succumb (yet again) to the programmed imperative to “be good”, it’s helpful to revisit Mary Oliver’s poem The Journey. Let it reorient the inner compass to heart-point central, where the myth of separation finds no foothold. Let it whisper a reminder that we have a unique voice – however timid and hidden away it may be – and that allowing it to sing out will not only save our own life, but also the life of the world. For truly, there is no separation. Let us do this for each other. Please.

– – –

Still from Steven Spielberg's film: The Color Purple

 

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice –
though the whole house
began to tremble
and you felt the old tug
at your ankles.
“Mend my life!”
each voice cried.
But you didn’t stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do –
determined to save
the only life you could save.

Mary Oliver

 


Image:  Movie still from the Steven Spielberg classic – The Color Purple