Chameli Ardagh’s poetic letter dropped into my inbox a few days ago. Perhaps some of you received it as well. It’s too powerful not to be shared, especially at a time when so many of us are experiencing rumblings in the depths of our own unique [cosmic] compost heap. Let us be nourished and supported by this wisdom as we push again and again, and yet again at the “edge of evolution”.

Remember: whatever may be arising for us – it isn’t our little drama. It’s all for the sake of Creation Itself. She is restless and she is singing our song.

The new world grows out of this fertile brew made of our outgrown clothes, our errors and awakenings, our dreams and prayers, and the luminous horizon we sense there — in the pause between the breath, in the gap between thoughts, in the softening of the heart. You are a holy compost pile at the very edge of evolution.
 
Brewing on this edge is an alive intelligence beyond anything you can grasp with thoughts and concepts. In your willingness to hang out in the pregnant unknown, you become the poet, the artist, the mother birthing her holy medicine into our world.
 
The thought you never have thought before …
The possibility you have never seen …
The song you have not yet heard …
 
It is uncomfortable to stay in the not knowing. We want so quickly to fill the void, eagerly grasping for the solutions dangling within immediate reach. Like a radio receiver with shortcut buttons to our favourite programs — even if the sounds torture us, distract us and zap our energy — we stubbornly tune into the familiar stations of consciousness, insisting that that’s all there is.
 
Tune into the subtler frequencies: the shadows dancing; the harmonies in music and rain; the silent sounds; the open spaces; the throbbing rhythms of growth; the open landscapes within that only poetry can take you to.
 
Tune into Radio Leela, the frequency of Divine Play and infinite possibilities. Our Goddess of creativity — Saraswati Ma — is the DJ here, and rumor has it that She is playing your song.

– Chameli Ardagh

The image is a portrayal of Benzaiten, the Japanese Saraswati. It comes from here.
The artist writes, “Benzaiten, or sometimes called Benten-sama, is the goddess of everything that flows: water, words, speech, eloquence, music and knowledge. She’s also the goddess of art and beauty. In my drawing she wears a kimono that flows out as a river and holding a biwa, a traditional Japanese lute. I decided to not draw her face, but instead show her from the back. The reason why I didn’t draw her face, is because I didn’t want to portray her with a specific face.”